![]() At NOSPR our commitment to creative innovation has led us to embrace the potential of cutting-edge technology and bring it together with the very best artistic vision. We hope Szymanowski would have been thrilled and somewhat surprised!”Įwa Bogusz-Moore, General and Programme Director of NOSPR, said: “AI has the potential to unlock extraordinary new ways to enhance the concert experience for audiences. Dance, landscape, and AI blend seamlessly. Through this project, the traditional conventions of what is dance and what is space collapses as a new continuum of time emerges. ![]() Wayne McGregor CBE said: “A Body For Harnasie attempts to re-frame Szymanowski's epic musical work for our times, to create a choreographic object that redefines dance in the concert hall with a physical kinetic sculpture in constant transformation through motion and artificial intelligence. NOSPR will perform the world premiere in Katowice on 26 February with LPO Principal Conductor Edward Gardner, before Gardner takes the production to London to perform it with the London Philharmonic Orchestra at the Southbank Centre and Concertgebouw Brugges. Through the use of human and digital intelligence, a sculptural video installation will be suspended above the orchestra on the stage, reimagining how dance can be created and experienced. The project will see McGregor use digitally enhanced choreographic storytelling with technological interventions and visuals by Williams. The Polish National Radio Symphony Orchestra has announced a major creative project which sees them collaborate with choreographer Wayne McGregor CBE and visual artist Ben Cullen Williams to create a reimagined concert production of Szymanowski's ballet score Harnasie called A Body for Harnasie, a co-commission with the London Philharmonic Orchestra.
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